Meet Our Faculty
Joy of Motion Dance Center is proud to employ a team of full-time faculty as well as a number of part-time faculty. Our faculty members embody our core values in their instruction. They offer student-centered teaching with a focus on progress and individual care in a nurturing environment where every student counts.
Helen Hayes, Director of the newly formed Dance Institute at Joy of Motion Dance Center, graduated from the University of Maryland with a degree in dance. She has danced professionally with the Maryland Dance Theater, Perlo/Bloom and Co., Cathy Paine and Friends, Deborah Riley Dance Projects and Dupont Alley Dance Company. Touring internationally, she has been featured on Good Morning Hong Kong. She has performed throughout the United States, including the Honors Gala in tribute to Chita Rivera at the Kennedy Center. Hayes was the co-founder of CrossCurrents Dance Company (former Resident Arts Partner at Joy of Motion Dance Center) which she co-directed from 1996-2008. She spent the summer of 2002 teaching jazz and modern in Varna, Bulgaria at the International Ballet Competition. She was on the adjunct faculty at the University of MD in 2006 and has taught numerous master classes in the United States and abroad.
As part of her duties as Dance Institute Director, Hayes continues to direct Joy of Motion’s Youth Dance Ensemble, a pre-collegiate program for the developing young dancer. Under Hayes’ direction, the Youth Dance Ensemble has won the Metro DC Dance Award for Most Outstanding Youth Performance in 2006, 2010 and 2012. In 2009, Hayes was the recipient of the prestigious Metro DC Dance Award for Outstanding Achievement in Dance Education. Several of her students have gone on to enjoy professional careers in repertory dance companies, on Broadway, and form their own professional dance companies. In September 2015, Hayes celebrated her 25th year of teaching dance at Joy of Motion Dance Center. Hayes is dedicated to building community through dance and believes that dance builds strong minds and strong bodies.
Danielle Quirion began as a competitive gymnast and dancer from a young age. She trained in a variety of styles including ballet, tap, and jazz. Quirion graduated from Fairfax Academy of the Arts in 2002, and later attended Virginia Commonwealth University, where she continued performing and training in modern dance, graduating in 2007 with a B.S. in Sociology. Quirion continued performing and choreographing at Virginia Tech, where she earned her master’s degree in Public Administration and Policy in 2010. Quirion first joined Joy of Motion Dance Center in 2010 as an intern in the main office, after which she served as Assistant Manager at the Friendship Heights studio. After spending time performing professionally with various companies such as Next Reflex Dance Collective, DCypher Dance, DC Contemporary Dance Theater, and Contradiction Dance, and directing and choreographing at Sax Lounge, Quirion has happily returned to Joy of Motion Dance Center as Manager at the Bethesda studio, in addition to teaching at Joy of Motion Dance Center and Pole Pressure Studios.
Jenifer Dobbins is a passionate dance educator, choreographer, theater technician, and arts organizer, advocate, and administrator. Her passion for ballet pedagogy has led her to licensure in the Cecchetti Method of Ballet, through the Cecchetti Council of America. Her philosophy for teaching is anatomically sound, inclusive, and nurturing. A graduate of UMBC Department of Dance, Jen performed with Baltimore Dance Project and received an Undergraduate Research Award to study with the Jose Limon Foundation. Jen has performed and choreographed in the DMV for over 15 years, specializing in technology driven and theatrically inquisitive works. As an educator, Jen has taught dance regionally for over 12 years and her students have won numerous awards and scholarships, with many going on to dance in college and professionally. Jen is exhilarated to be a part of the Joy of Motion Faculty.
Angela Ingram began her dance career at the age of nine studying ballet, jazz, tap, and Hawaiian. Her passion for dance and movement led her to study intensively with Alvin Ailey, Frank Hatchett, and Fred Benjamin. Ingram is especially attracted to folklore dance and she frequently travels to Brazil and Cuba studying Afro-Brazilian and Afro-Cuban folklore as well as samba and rumba.
Kelly Kunst grew up studying every style of dance she could find! She focused on ballet, tap, jazz, modern, and lyrical in an intensive ballet program as well as a competition setting. She spent her summers studying at the prestigious Ballet Regent Institute and American Ballet Theater Summer Intensives. Kunst went on to earn her BPA in Dance Performance from Oklahoma City University where she was a magna cum laude graduate after completing coursework in pedagogy, choreography, anatomy, and physiology in addition to ballet, tap, jazz, theater dance, voice, and acting. While at OCU she was a dancer and line captain for the American Spirit Dance Company, dancer, and rehearsal captain for the Spirit of Grace Liturgical Dance Company, as well as performer and choreographer for the annual choreography showcase. Kunst can be found teaching ballet, jazz, modern, tap, contemporary, and Broadway jazz, as well as multiple fitness classes, throughout the DMV. Since moving back to the area in 2003, she has taught at Joy of Motion Dance Center, University of Maryland, College Park, the Washington School of Ballet, and Dancemakers, has choreographed for multiple productions at the National Presbyterian School, and coaches and choreographs for dancers competing in regional and national dance competitions and pageants. Kunst is the Company Director of Jazz Factor and Jazz Corps, Joy of Motion Dance Center’s youth jazz companies. When not dancing, she also loves all things fitness and is a competitive bodybuilder.
Elizabeth Malone is from Bellingham, Washington, where she began to study ballet, modern, flamenco, tap, hip hop, and jazz. In 2004 she completed the Teacher’s Summer Seminar at Canada’s Royal Winnipeg Ballet. Malone holds a BFA in Dance from Cornish College of the Arts in Seattle, Washington. While there, she focused on performance, teaching, and choreography of ballet and modern dances. Malone danced for ARC Dance Company in Seattle, Washington for two seasons before moving to the East Coast. She now dances and teaches with ReVision Dance Company in Washington, DC, and for Joy of Motion Dance Center.
Krystal Odom has been dancing her entire life but began her formal training at the Jones-Haywood School of Ballet. She has performed with the Jones-Haywood Youth Dancers, Bren-Car Dancers, and in Adrian Vincent James’ 40th Anniversary in Dance and the Arts. She has taught ballet and tap at the New School of Dance and Arts and Bren-Car School of Dance. She has taught hip hop with the D.A.R.E.® Dance program since 2007. She is very excited to continue teaching ballet and hip hop at Joy of Motion Dance Center.
Bio Coming Soon
Mackenzie Shimon began competing in dance competitions across Southern California at the age of six, in jazz and tap. In her teens, she trained with Emmy-nominated and American Choreography Award-nominatee Monie Adamson, known for her work with Warner Bros. programming Family Matters, Step by Step, and MAD TV. She worked with Tim Stevenson, known for his choreography of music videos and tours for Jennifer Lopez, Destiny’s Child, and Mandy Moore. While in high school, Shimon was asked to choreograph for her high school’s award-winning musicals and her former elementary school’s musicals, both of which both produced Broadway and Hollywood performers. Shimon was selected to serve as dance captain and main choreographer for her high school varsity dance team alongside Gigi Torres, who is now one of the industry’s leading hip hop teachers and choreographers. In college, Shimon began training and choreographing in contemporary and hip hop. After graduating from James Madison University with a Minor in Dance, Shimon began training solely in hip hop in Washington, DC. Since 2010, Shimon has performed at The Kennedy Center, The White House, The Verizon Center, and in concerts in NYC, NJ, and PA. Shimon has always felt passionate about dance and hopes to help her students of all ages and styles grow, both technically and in their love for dance. Shimon is the Company Director of Rhythmix, Joy of Motion Dance Center’s youth hip hop company under the H.Y.P.E. Program.
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Elana Denise Anderson, Ph. D. is an instructor, life-long student, and lecturer. She holds a Bachelor of Arts degree in African American Studies with minors in both English Literature and French from Chicago State University (2007), and attended Howard University in Washington, D.C. to earn her Master of Arts (2009) and Doctorate of Philosophy (2013) in African Studies concentrating in Language, Literature, and the Arts, as well as a Graduate Certificate in Women’s Studies (2013). She is the Associate Director of the Women’s Institute for Freedom of the Press in Washington, D.C (since 2012). Dr. Anderson is a member of the American Guild for Musical Artists (AGMA) and a lifetime member of the National Council for Negro Women. Dr. Anderson became a member of the artistic team of Chicago-based Deeply Rooted Productions in 1998, and currently serves as senior artist, consultant, narrator, rehearsal coach, project manager, and instructor at Deeply Rooted while also serving on the faculty of Joy of Motion Dance Center (since 2008), Dance Dimensions of Forestville, MD (since 2014), and MODAS Dance of Albuquerque, NM (2011). Most recently she joined the Center for Visual and Performing Arts of Suitland High School in Prince George’s County, MD, as Ballet Mistress.
Bio Coming Soon
Matthew Bennett grew up in the D.C. area and was very active in the arts, performing as a high school student at the Imagination Stage, The Kennedy Center, The White House, and The National Theater, with productions from The Young Americans of Washington, The Musical Theater Center, and Bethesda Academy of the Performing Arts. He began his dance training with Helen Hayes at Joy of Motion Dance Center before moving to New York City in 2001 to attend NYU’s Tisch School of the Arts, where he was awarded a BFA in dance and creative writing with a minor in musical theatre. While at NYU, Bennett was privileged to be involved in many productions, both onstage as well as exploring directing and choreography. He has worked with legends such as Chita Rivera, Ann Reinking, Alix Korey, and Kathleen Turner. Moved by his passion for contemporary dance, Bennett joined the scholarship program at Steps on Broadway in 2006, where he was able to train with remarkable teachers including: Jana Hicks, David Howard, Kevin Wynn, Max Stone, Lisa Lockwood, Milton Meyers, Robert Battle, and Jason Parsons. Bennett has been a member of The Next Stage Project, a contemporary dance company focused on outreach, since 2007, and has performed at New York’s City Center, Lincoln Center Lab, and the River to River Arts Festival. With his long background in education, Bennett is thrilled to be working at Joy of Motion Dance Center and excited to pass along the joy dance has given him in his life to the next generation of dance artists!
Lauren Borchard, a native of New York State, moved to Washington, D.C. in 1998. She currently teaches modern dance at Joy of Motion Dance Center and yoga throughout the DMV area. Borchard performs with the Glade Dance Collective and has worked with The PlayGround, CrossCurrents Dance Company, and DanceAntonini. While working with Kelly Mayfield and Megan Oakley, she performed in several choreographers’ showcases in the DMV area, as a guest with Propaganda Dance Theater, and at the Grace Street Theater in Richmond, VA. She began dancing in grade school and participated in the Modern Traditions Workshop at Jacob’s Pillow while attending Alfred University, where she created a major in American Studies and minored in dance. Borchard also completed an MA in American Studies at The George Washington University and works as a historian. Borchard aims to provide students of all levels the opportunity to challenge themselves and build confidence in a fun, safe environment. She encourages students to listen to and learn from their bodies and especially wants to help them develop a solid technical basis so they can dance for many years.
Bob Boross is known internationally for his artistic excellence in jazz, tap, and musical theatre dance. Bob’s career began as a musical theatre performer in productions of West Side Story, Godspell, Zorba, and The Pirates of Penzance (Pirate King). He made his Broadway debut in the 1981 revival of Can-Can, choreographed by Roland Petit. Since then he has choreographed equity and non-equity productions of Annie Get Your Gun, Guys and Dolls, Victor/Victoria, Blood Brothers, and A Funny Thing Happened on the Way to the Forum. Bob has also been invited to teach and choreograph by jazz dance companies in Sweden, Russia, France, England, Finland, Italy, and Mexico. Most recently his work has been seen on multiple occasions in the NY Jazz Choreography Project and the Choreographer’s Canvas (NYC). In Los Angeles Boross has presented his work at Jazz Dance LA at the Japanese-American Theatre, Spectrum Dance in LA at the Ivar Theatre in Hollywood, and at the Gypsy Dance Awards show at the Beverly Hilton Hotel. His evening length dance theatre piece Empty Sky…The Rising, set to twelve songs by Bruce Springsteen, debuted in 2005 at the Two River Theatre in NJ.
Boross’ dance approach is mainly influenced by the jazz dance pioneer Matt Mattox and his freestyle jazz dance method. Over the years Boross’ students have enjoyed great success – dancing on Broadway, in films, music videos, ballet companies, in Las Vegas, on the Academy Awards, and as finalists in the shows So You Think You Can Dance and Step Up and Dance (Bravo network).
Boross holds an M.A. in Individualized Study (Jazz Dance) from the Gallatin School of New York University. He has held professorships at Illinois State University, Western Kentucky University, and the University of California, Irvine, where he was appointed head of jazz dance. At Stephens College in Missouri, Boross served as Associate Professor and Chairperson of the dance department. Boross is also known as an author on jazz dance, and his writings have been published in Dance Chronicle, Dance Magazine, Dance Teacher, and Dancer. Since 2003 he has been an invited member of the Advisory Board of Dance Teacher magazine.
Derek Brown is a professional choreographer, dancer, artist, and director based in the DMV. He has worked with such companies as BET, Def Jam, Disney, FOX, J Records, Manhattan Records, Motown, Seagrams, TV One, Touchstone Films Step Up, and Universal. Brown has worked with such artists as Jennifer Hudson, Chrisette Michelle, Monica, Mya, Pink, Prince, and Tanu. He choreographed the “Pan Am” girls in Sean Paul’s music video, “She Doesn’t Mind,” which, in its first week, received over 5 million hits. Most recently, Brown had the opportunity to direct Grammy Award-winning songstress, Mya, for the music video “Mr. Incredible.” Brown prides himself on not only bringing original concepts to class and going against the grain, but also his need to bring the best out of the artist he is working with and the best out of himself.
Vanessa Carmichael has been teaching jazz, hip hop, and modern in the DMV area for the past decade. She began dancing in college while majoring in kinesiology at the University of Maryland. She has studied ballet, jazz, and modern with Alvin Mayes, Bonnie Slawson, Tim Roberts, and Douglas Yeuell. Carmichael is a certified Personal Trainer and integrates her knowledge of exercise physiology and body mechanics into her dance curriculum. Carmichael has performed with local companies CityDance Ensemble and Jam Crew, and currently dances with the DC Contemporary Dance Theater. Carmichael has performed on the stages of Dance Place, the Jack Guidone Theater, and the Kennedy Center. Carmichael has been the Youth Company Director of Dancefusion Jazz Project since its inception in 2000. Carmichael brings her myriad of experiences, cultural influences, and athleticism into her choreography. Her three children can also be found dancing in the studio.
Petra Cleary fuses her passions for dance, wellness, and travel to create a festive, fun, fitness class through Zumba®. Her formal dance training started in NYC and continued through her college years. Cleary’s skills were showcased during her time as a semi-professional basketball league cheerleader with the Baltimore Bay Runners during their 2001 season. Over the past decade Cleary has traveled to over 24 countries throughout Africa, South & Central America, the Caribbean, and Europe, participating in cultural exchange & enrichment. She has taught Zumba classes & Master Classes in Jamaica, Guatemala, Ethiopia, and across the US. Her invigorating Carnival Dance Fitness Workshop, which covers 3 carnival styles and 4 dance rhythms, has toured DC, Baltimore, Baton Rouge, Las Vegas, and even Addis Ababa. You may spot Cleary in flash mobs, dancehall performances, and fitness showcases around the DC metro area.
Hayley Cutler is a choreographer, interdisciplinary performer, and educator based in Washington, DC. Cutler holds a BA in Dance from The George Washington University and a postgraduate diploma from the Laban Conservatoire in London, England. As a solo artist and founding Artistic Director of darlingdance company (est. 2010), her work has been presented in London, Chicago, Massachusetts, and extensively throughout the DMV. She has been an Artist in Residence at the Northfield Mount Hermon School and has taught at Sitar Arts Center. At present, she is a teaching artist at Imagination Stage and Joy of Motion Dance Center, as well as faculty at The George Washington University. Cutler is the recipient of the Maida Withers Dance Construction Company Innovation Award for “daring to walk the tightrope between originality and risk in performance art and the formality of the theatre stage”. She was named a finalist in the Emerging Choreographer category for the 2012 MetroDC Dance Awards and has been recognized as “a choreographer to watch” by Washington City Paper. Currently, Cutler is pursuing a Masters of Fine Arts in Dance at GWU, where she was awarded a University Fellowship.
Rima Faber, Ph. D., has an extensive background in dance. Faber began dancing at age 3 and trained with Anna Sokolow, Martha Graham, Merce Cunningham, and performed at the famed Judson Church. A graduate of American University (1997 and 1994) and Bennington College (1965), Faber returned to academia after a full career as performer, choreographer, director of several performing companies, and founder and director of the Primary Movers Dance School and Company (1979-2000). As a performer in the DMV, Faber danced with Liz Lerman (1978-1980) and as a soloist for Pola Nirenska (1980-1992). Faber has taught in the D.C. public schools since 1980 with a prime focus on cognitive development and kinesthetic learning: teaching academic curricula through the art of dance. In the mid and late 1990s, Faber worked with the National Assessment of Educational Progress on developing, facilitating, and implementing the national assessments in arts education. Faber was the founding President and Executive Director of the National Dance Education Organization (NDEO), where she served as Program Director for 13 years. Faber is currently Chair of the Dance Task Force of the National Coalition for Core Arts Standards and President of the Capital Region Educators of Dance Organization, but she is happiest teaching children to love dance. She serves on Joy of Motion Dance Center’s Advisory Board.
Nikki Ranee Gambhir is a performer, teacher, and choreographer in the DMV, currently working in hip-hop, contemporary, jazz, tap, ballet, and Bollywood fusion. Gambhir is a member of Culture Shock DC and Tappenstance, Joy of Motion Dance Center’s Resident Adult Tap Company. Gambhir was a former director of DCypher Dance (Joy of Motion Dance Center Resident Company) and was Company Director of Urban Impact, Joy of Motion Dance Center’s teen hip hop dance company. Her performance highlights include: BET’s 106 & Park, opening for B2K and Darrin Henson, NFL Redskins Halftime Show, and the National Cherry Blossom Festival. She performed with Cirque du Soleil and danced at the White House for the First Family, with the Broadway cast of Hairspray, in the PBS special “A Tribute to Broadway”. Gambhir is a featured dancer in the Bollywood movie Ta Ra Rum Pum. She has been a guest artist at Georgetown University, Oberlin College, and Dreyfoos School of the Arts. Her choreography has been showcased at the Kennedy Center, National Dance Day with Nigel Lythgoe, the Dizzy Feet Foundation, the NBA Wizards’ halftime show, and the Metro DC Dance Awards Ceremony. She was selected to choreograph the tribute performed for the James Brown movie screening, live at the Lincoln Theatre, which was nationally televised on NBC. In addition to teaching at dance studios, Gambhir was a teacher at Albert Einstein High School and she choreographs musicals for Woodrow Wilson High School. Gambhir has performed in countless dance assemblies in local schools, presenting dance as a constructive alternative for at-risk youth, through Joy of Motion Dance Center partnerships with DARE Dance, DEA Youth Dance Program, and Joy of Motion Dance Center’s Motion Express. She believes that the arts are an essential part of the community and hopes to promote positive and healthy expression through dance.
Susan Gresko began studying ballet at age 12 with Janis Ray in Annandale, Virginia. She continued her training on scholarship at the National Academy of Arts in Champaign, IL with Petrus Bosman and Robert DiCello, at Jacob’s Pillow with Benjamin Harkarvy, and at the Pennsylvania School of Ballet with Lupé Serrano and Cherie Noble. She graduated with Highest Distinction honors from George Mason University where she earned a Bachelor of Arts degree in dance and performed with the George Mason University Dance Company. She is a yoga teacher in the Viniyoga tradition and received her certification from the American Viniyoga Institute. She is also certified in the Zena Rommett Floor-Barre Technique. Gresko has taught youth and adult ballet, yoga, and Floor-Barre throughout the DMV area. In 2004, she joined the D.A.R.E. Dance program to teach movement and choreography to elementary school children. Gresko joined the Joy of Motion Dance Center faculty in 2004, where she teaches ballet.
Tiffany Haughn is the director and founder of DancEthos, a DC based modern dance company that creates and presents dances that reflect the beliefs and spirit of our culture. Her choreography has been performed at The Kennedy Center, Dance Place, The Clarice Smith Performing Arts Center, Woolly Mammoth Theater, and the Atlas Performing Arts Center, among other venues. In addition to teaching at Joy of Motion Dance Center, Haughn has also been on the faculty of George Washington University, George Mason University, The University of Mary Washington, Northern Virginia Community College, and BalletNova (previously Arlington Center for Dance). While living in New York City, she performed with The Lindt International Ballet, Saltare Dance Company, Jennifer Walker & Company, and Threshold Dance Company. Haughn graduated magna cum laude with departmental and university honors from Jacksonville University with a BFA in Dance and a BA in Psychology. She earned her MFA degree in Dance at George Mason University.
Natasha Hawkins began dancing at the age of four at the RJV School of Dance in Washington, DC and has never loved anything more! Hawkins has trained with local and national talent in hip hop, ballet, and modern. She was the former Director of DCypher Dance, Joy of Motion Dance Center’s Resident Adult Hip Hop Company, and a dancer with Life, Rhythm, Move Project. Hawkins has performed at venues throughout the region including: the White House, The Kennedy Center, National Theater, the Atlas Performing Arts Center, and the Jack Guidone Theater. Hawkins is the Company Director of Groove Elements, Joy of Motion Dance Center’s youth hip hop company under the H.Y.P.E. Program.
Tamara Henry is a dancer, musician, and artist who started her dance career at the age of four in Tuckahoe, New York. After moving to Wheaton/Silver Spring, Maryland, she continued her studies at Peter’s Studio of Dance. In college, Henry studied dance at the University of Maryland, danced with the University of Maryland Dance Team, and danced with the Morgan State University Modern Dance Ensemble. While earning her undergraduate and master’s degrees, she was the dance coordinator and choreographer for Morgan State and Bowie State marching band dance lines. Henry loves performing, choreographing, and has taught various styles of dance throughout the DMV area, including ballet, tap, jazz, salsa, and poms. At Knock on Wood Tap Studio, she was a member of its Resident Company Step Aside for eight years, had the chance to study with several renowned tap dancers, and learned salsa rueda/casino. In 2009, she founded and became the director of Artistic Rhythms Alliance/ARA Tap. In 2010, she began producing A Holiday SpecTAPular, an annual tap show that brings over 100 tap dancers from the DMV area together for a festive holiday concert. She is the director of Body Rhythms Dance Camps and Competitions, was a High School Pom & Dance Team Coach and county competition director, and enjoys judging local pom/dance competitions. Henry has had the opportunity to perform at several venues including: the Kennedy Center, Wolf Trap, Black Rock Center for the Arts, Publick Playhouse, Dance Place, Montgomery College, the Jack Guidone Theater; tap festivals in Austin, Chicago and New York; and at the Lincoln Center with the New York Philharmonic Orchestra under the direction of Marvin Hamlisch.
Sara Herrera hails from Fort Worth, Texas, where she began taking dance classes at a young age and furthered her training at the Booker T. Washington High School for the Performing and Visual Arts in Dallas, Texas. Herrera received her Bachelor of Fine Arts in Modern Dance from the University of the Arts in Philadelphia, PA., where she had the opportunity to work with established choreographers such as Gabriel Mason, Donald Lunsford, Molly Misgalla, Wayne St. David, Brian Sanders, and Ronen Koresh. After completing her degree, Herrera moved to New York City where she taught and performed with the Kennedy Dancers and Peyari Dance Project. Herrera has been teaching dance since 2001, in styles of jazz, modern, musical theatre, hip-hop, and lyrical dance. Herrera has had the privilege of working as a guest artist with esteemed DC area choreographers such as Jaime Coronado, Hayley Cutler (darlingdance), Tiffany Haughn (DancEthos), Esperonto Bean, Roxann Morgan-Rowley, and Erica Rebollar (Rebollar Dance). Herrera has worked with local theater companies such as the In Series, with performances at the Gala Hispanic Theatre and the Embassies of Indonesia, Austria, and Hungary.
She has choreographed musicals for summer art camps at Imagination Stage in Bethesda, MD, and Acting Manitou in Oakland, ME. She has also choreographed for Imagination Stage’s professional stage and will be making her debut as a performer in their early childhood theater show, Paper Dreams, in Spring 2017, in collaboration with Barcelona company, Mons Dansa.
Currently, Herrera is in her third season as the artistic director and choreographer of her company, ArasDance, a proud cast member of the highly anticipated show What’s Going On: The Marvin Gaye Project under the direction of Vincent Thomas, Sylvia Soumah, and Ralph Glenmore, and also the founding artistic director of the Petworth Dance Project, a new outdoor dance series in Washington, DC, which will be entering it’s second season this summer.
Alana Hill’s love for dance started at a small dance school in her hometown of Oklahoma City, where she began ballet and tap training. Even as a young and shy child, Hill was always alive and uninhibited on stage. During high school she revisited her love of performance and choreography through cheerleading competitions, halftime shows, and high school talent competitions. In 2001, Hill began taking classes at Joy of Motion Dance Center, and was quickly inspired by a host of talented teachers and performers. She credits the faculty and staff at Joy of Motion Dance Center and their motto “‘Dance is for Everyone®” for inspiring her to believe in herself and her unlimited ability. In 2003, she co-founded Expansion Dance Project, a local hip hop dance company, and faithfully served as Managing Director, choreographer, and performer for over two years. Hill has also been a dancer with Life, Rhythm, Move Project and Contradiction Dance, and has directed four theatrical productions. Hill received her certification as a group exercise instructor and has taught hip hop classes at The Sports Club LA, Joy of Motion Dance Center, and CityDance Center. Currently, Hill is the Dance Department Director for the Bullis School in Potomac, MD, and is the Program Director of Joy of Motion Dance Center’s H.Y.P.E., a pre-collegiate hip hop performance and education program for youth dancers. As a dance educator, Hill seeks to inspire her students to search within themselves and find their inner performer, to be uninhibited, and to have fun.
Miya Hisaka carries the legacy of some of the world’s most renown dance leaders, trained by or danced with Alvin Ailey, Martha Graham, Eric Hawkins, Gene Hill Sagan, Mary Day, Gloria Contreras, and Kevin Iega Jeff. She has trained hundreds of dancers who are members of the Alvin Ailey, Dance Theatre of Harlem, Stuttgart Ballet, and American Ballet Theatre. A mover and shaker in the DC arts scene since l984, with a life commitment to diversity and the arts, she is also noted for her work in local municipal development and post war reconstruction work in Latin America. Ms. Hisaka is a graduate of Barnard College/Columbia University with a BA in Urban Studies, and an MPA from the Maxwell School of Citizenship and Public Affairs at Syracuse University. For 28 years, she was Director of Dance/Faculty at Georgetown University, Central American University San Salvador, and San Domenico Prep School, CA; 15-year faculty at the Washington School of Ballet under the tutelage of Mary Day; and at the National School of Dance in El Salvador. Ms. Hisaka is Founder/Artistic Director of the DC Contemporary Dance Theatre, DC’s first multicultural dance company, were selected as cultural ambassadors by the State Department to represent the U.S. for a world tour for over a decade. Her work has been presented by the Kennedy Center, Smithsonian Institution, Central American Olympics, Cleveland Clinic’s Art & Medicine Institution, Ministry of Education of El Salvador, and Santa Clara University, among others. Recipient of the NEA Arts Fellow, and University of San Francisco’s Jesuit Fellowship. As an urban planner/member of the Mayor’s Task Force for Arts and Economic Development, Ms. Hisaka was integral in the redevelopment of the Gallery Row Arts, the 14th and U Arts District, and the first resident Company at the Lincoln Theatre. She was an Arts Fellow of the National Endowment for the Arts, recipient of numerous DC Mayor’s Arts Awards, and with a 30-year track record in funding. Currently, Ms. Hisaka is Founder/Artistic Director of DC Contemporary Dance Theatre/El Teatro de Danza Contemporanea, Ballet Mistress/Faculty at Catholic University, a Non-Profit Arts Consultant, and a certified Somatics/Pilates PT. Beyond Ms. Hisaka’s international recognition for her commitment to excellence in the concert dance, she is known for her unique ability for starting up and creating successful businesses and arts institutions from ground zero.
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Under the instruction of Robin Pitts, Laverne Reed, Mya, Savion Glover, and many more, Jocelyn Isaac developed a love for dance at a young age. She was a student at DanceMakers Studio, the Royal Academy of Dance in Annapolis, and the Ballet Theatre of Maryland. While earning her BFA in Dance and Marketing from Temple University, Isaac studied under Pat Thomas, Kim Bears-Bailey, and Milton Myers in the Philadelphia Dance Company’s Training Program, and performed annually in the company’s showcases. Isaac holds a MFA in Dance from SUNY Purchase College Conservatory of Dance. Isaac has worked with Charles O. Anderson’s DanceTheatreX, Danse4nia Repertory Ensemble, Phil Grosser, Dr. Kariamu Welsh, and Abdel Salaam. Notable musical theatre performances include: The Chocolate Nutcracker at the Historic Lincoln Theatre in DC, All Shook Up, Annie, and South Pacific< at the Jenny Wiley Theatre in KY (dance captain), The Christmas Spectacular at La Comedia Theatre in OH, and FAME at the Surflight Theatre in NJ and the Mystic Lake Casino Hotel in MN. Isaac played ‘Tiger Lily’ in Peter Pan at Jenny Wiley Theatre, ‘June’ in Chicago at the Media Theatre in PA, and a Dynamite in Hairspray aboard Royal Caribbean’s Oasis of the Seas. Isaac’s choreography has been presented at the 76ers Halftime Show, Hershey Park, Andrea Clearfield’s Salon, The Fourth Wall Arts Salon, Frontline Philly’s Dance Review, Temple University, SUNY Purchase College Conservatory of Dance, and Koresh Dance Company’s Artist Showcases. She has taught at Steffi Nossen Dance Foundation in NY, Harlem Dream Center, SUNY Purchase College, Rockland Community College, Princess Mhoon Dance Institute, and George Mason University.
KY native Maurice Johnson is the Associate Artistic Director of DC Contemporary Dance Theatre (DCCDT). He is a teacher, educator, choreographer, and performing artist. He graduated with honors from the University of Kentucky with a degree in Public Relations. He started his professional dance career as a feature dancer in the opening and closing US Olympic ceremonies (Atlanta). He completed a six-month national tour with the two-time Grammy Award-winning music group Arrested Development. Further credits include: Jennifer Lopez and Gloria Estefan (White House performance) as well as the production teams of Michael Jackson, Janet Jackson, and Paula Abdul, to name a few. Johnson started his teaching career at Joy of Motion Dance Center in 1999. His challenging and energy-charged classes have been defined as unique, inspirational, and motivating. His classes serve as a tool to educate and further develop students’ technical and artistic proficiency. As a firm believer in practicing what you preach, Johnson is still very active as a professional student and performing artist. He has trained and performed with The Lexington Ballet, Alvin Ailey (school), Gus Giordano Jazz Dance Chicago, Classical Repertoire Dance Theatre (CRDT), and DC Contemporary Dance Theater. Johnson’s work has been performed and taught in China, Germany, and the U.S. He served as the Interim Artistic Director of Georgetown University Dance Company (GUDC) and was formerly an adjunct Professor at American University. Currently, Johnson is on the faculty at Joy of Motion Dance Center, Catholic University, and the National Cathedral School (NCS)
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Desmond “Dez” Jordan, a dancer and up-and-coming choreographer, has been a breakthrough artist throughout his years. Through dedication and hard work, he became Executive Director of Kaution Dance as well as Assistant Choreographer for Impact Entertainment’s Hip Hop Company. He later joined Fierce Collabo and became team captain in the 2014-15’ season. He has performed at renowned venues including World of Dance NYC, Monsters of Hip Hop, Prelude DMV, National Dance Day DC, Toronto Pride, Capital Pride, and Cherry Blossom Parade, with artists such as Deborah Cox, Debbie Reynolds, and Radio Disney’s Kicking Daisies. His talent continues to grow and he hopes that his performances and teaching can help inspire many.
Bio Coming Soon
Kat Kinnunen’s dance experience began in her hometown of Detroit, Michigan, with the Magic in Motion competitive jazz team and the Cranbrook Theater School throughout her childhood, and later evolved to focus on Latin and Ballroom dance styles in her adult life. While attending George Mason University in 2006, Kat excelled in the Afro-Cuban, and Afro-Latino dance styles, which spurred her peers to elect her President of the school’s salsa club, Azucar. Her official teaching career began in 2009 with group and private classes at a local studio, and she has been teaching full time ever since. Kinnunen holds a Bachelor of Science in Health Systems Administration with a minor in Business from George Mason University. She has trained under top coaches in the DC area, and received 1st placements in all her amateur ballroom competitions. She has also assisted with dance publications including the North American Dance Almanac and Topline Magazine. Kinnunen has been performing with Dynamix Dance Team for the past two years in the DMV area. She loves inspiring students to find their own passion for dance, and especially loves teaching beginners. When Kinnunen is not dancing, she is creating new flavors of chocolate truffles for her business, Kat’s Konfections, founded in March of 2014.
Maverick Lemons was born in Brooklyn, NY, and began studying dance at the age of 16 at the Harlem School of the Arts. Shortly after his initial training, Lemons received a scholarship to the Martha Graham School and performed with Opus Dance Theatre and LaRocque Bey. In 1997, Lemons attended Temple University in Philadelphia, PA, where he earned a B.S. in Business Management with a focus in Tourism & Hospitality. He furthered his training with The Ailey School and Philadelphia Dance Company’s PHILADANCO pre-professional training program. In 2000, Lemons joined PHILADANCO, where he toured nationally and internationally for seven years as a principal dancer, master teacher, and tour manager. While with PHILADANCO, Lemons performed with Eleone Dance Theater and the Pennsylvania Civic Ballet Company. He gained other professional experience by dancing in music videos with artists such as 702 and Aaliyah, and working with MTV Video Music Award-winning choreographer, Laurieann Gibson. Additionally, he danced original ballets under noted choreographers Christopher Huggins, Ronald K. Brown, Jawole Willa Jo Zollar, Lynn Taylor Corbett, Geoffrey Holder, Trey McIntyre, and Danny Ezrelow. Lemons’ musical theater credits include Dreamgirls and 42nd Street. Lemons is a member of The American Guild of Musical Artists and has danced in several operas with the Washington National Opera. Lemons appeared with Joan Myers Brown, Founder and Artistic Director of PHILADANCO, on a cover of Dance Spirit Magazine. He can also be found in the National Library of the Arts in NYC’s archives performing the American masterpiece, Mourner’s Bench, choreographed by the late Talley Beatty.
Chivas Merchant-Buckman, a native of Washington, DC graduated from Duke Ellington School of the Arts. He then received his BFA in Dance from Marymount Manhattan College where he worked with choreographers such as Robert Battle, Jiri Kylian, Chris D’ Ambroise, Jose Limon, Sean Curran, and Donald Byrd. Previous companies that Merchant-Buckman has worked with are Eisenhower Dance Ensemble (Detroit, MI), Cleo Parker Robinson Dance Ensemble (Denver, CO), Dallas Black Dance Theatre (Dallas, TX), Elisa Monte Monte Dance (New York, NY), and guested with The Big Muddy Dance Company (St. Louis, MO) and Dance St. Louis. His musical theater credits include Petrouchka in The New York Musical Festival and The Wiz with The St Louis Black Repertory. Teaching credits include Grand Center Arts Academy, Belleville School of Ballet, Belleville Elite Dance Academy, Allegheny Ballet, Stompin Beatz Professional Dance Company, First Class Dance Studio and Joy of Motion.
Michelle Michaels has been tap dancing for over twenty-five years, and has been actively performing in the DC area since 1999 with Tappening. Since 2013, she has been creating and performing holiday pieces for Tappenstance. The most recent additions to her tap portfolio include choreographing for Tappening, performing with Sundays on Tap, and co-founding Play Time Tap, a northern Virginia based tap group. She has performed in productions and venues including: TAPS Alive!, Kennedy Center Millennium Stage, Annual Holiday SpecTAPular, DC TAP Fest, and the Lincoln Center (NYC). Michaels is grateful for all of the amazing opportunities and talented people she has met through tap and looks forward to continuing to create great rhythms with her fellow tappers!
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Megan Morrison began teaching dances of the swing era in Seattle, Washington in 2005. She has since taught, performed, and competed in cities around the United States. Her favorite dances include lindy hop, blues, collegiate shag, Charleston, and balboa. As a teacher, Morrison brings creativity, humor, connection, and engagement to the classroom. She encourages students to keep the spirit of street dances alive by trying new things, making mistakes, and fostering community. Morrison loves to share these dances because she believes in the power of movement to bring joy, play, and freedom to people’s lives. When she is not teaching dance, she runs her full-time life coaching practice (www.megantaylormorrison.com), as well as leads dance trips for her company Dance Adventures (www.danceadventures.org).
Tyrone Murray is originally from Brooklyn, NY and attended Howard University in Washington, DC. He has studied and performed with Mike Malone, Melvin Deal, Laverne Reed, Debbie Allen, Jason Taylor, James Thurston, Louis Johnson, LaRocQue Bey, and Assane Kounta. Murray was the opening act for Carmen McRae, Stephanie Mills, the Bill Blass Fashion Gala, and an Illusionist Choreographer at Caesar’s Palace in Vegas, Boston, Miami, and San Francisco. He has taught master classes and has been a faculty member at Duke Ellington High School, Baltimore School of the Arts, Dance Place, Feet First, Maryland Youth Ballet, Cacho African Drummers and Dancers, Holton-Arms School, and several universities, including: Howard University, University of the District of Columbia, Virginia Commonwealth University, University of Maryland, and Georgetown University. Murray was the Rehearsal Director for DC Contemporary Dance Theatre, touring and teaching in Jordan, Dominican Republic, and Thailand. In addition, he has done promotional commercials for WUSA Channel 9, has been a Dance Grant Panelist for the DC Commission on the Arts and Humanities, and an NEA Choreography Grant Recipient.
Josephine Nicholson has degrees in dance from Wilson College, where she began her dance training, and George Washington University. She studied dance with Trina Collins, Liz Lerman, Buffy Price, Maida Withers, and Colette Yglesias. Nicholson began teaching dance at Joy of Motion Dance Center in the mid-1990’s. In addition to teaching at Joy of Motion Dance Center and in the Motion Express Program, she is with the Kennedy Center Artists-in-Residence Program. She has taught at a number of area dance programs including Capitol Hill Arts Workshop, Children’s Studio School, Fillmore Summer Arts, and Primary Movers Dance Studio. Nicholson danced in Dianne McIntyre’s commissioned recreation of How Long Brethren? at George Mason University and at the French Embassy in Portrait of Dora choreographed by Kimberly Mackin. She has been a member of Word Dance Theater, Dance Place Moving Company, and St. Mark’s Dance Company, as well as performed in the works of many Washington area choreographers. She has presented her choreography at Capitol Hill Arts Workshop, Capitol Fringe Festival, The Jack Guidone Theater, Dance Coalition Studio Theater, and Adams Morgan Day. She is currently a Co-Director and member of the Erika Thimey Dance Company.
Tanya Nuchols packs a ton of fun into her Zumba® classes and has been teaching all over the DMV area for several years. Trained in Classical and Filipino styles, Nuchols is also drawn to Latin, Brazilian, Caribbean, and Middle Eastern rhythm she became hooked on Zumba® while losing 50 mama pounds, dancing to salsa, samba, merengue, hip hop, and much more. Nuchols is active in the community, volunteering to teach Zumba® classes and performances for various local causes, including the H Street Festival and the Capital Pride Parade. She continues to study styles from all over the world, and is currently working toward her yoga teacher’s certification.
Originally from Ghana (and raised between Accra, London, and upstate NY), Yao Odamtten (pronounced oh-DAM-ten) started dancing in his mother’s womb. “In African culture, we are born with music, with dance, with literature…” and thus began his training in West African movement.
At Hamilton College, he began training in ballet, modern technique, Asian martial arts, and Afro-Caribbean movement. Odamtenn later trained with Garth Fagan, Deeply Rooted Dance Theater, and at The Ailey School, where he honed in Horton Technique. In 1999, he moved to Washington, DC, receiving his MA in International Affairs and Economics from Johns Hopkins School of Advanced Int’l Studies. In 2002, he discovered Joy of Motion Dance Center’s previous Dupont Circle location, and has since worked for the organization in various capacities. After an 8 year career at The World Bank/IMF and another 8 in Communications/Brand Development with Fortune 100 companies, he returned to dance — having toured with Bono of U2 and The Judds. He currently teaches at Joy of Motion Dance Center, The Washington Ballet, and other dance institutions in the DMV.
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Estela Vélez de Paredez trained intensively with Maestro Antonio Santaella of Granada, Spain, to whom she owes her development as a flamenco dancer, teacher, and choreographer. Estela trained with other notable Spanish figures such as Carmen “La Talegona,” David Coria, La Farruca, Rocío Molina, Mercedes Amaya, Joaquín Grilo, Pastora Galván, Israel Galván, Belén Fernández, and Cristóbal Reyes, to name a few. She has a background in ballet, jazz, tap, and belly dance. She has been performing flamenco in the DMV area since 1998. Estela is recognized for her strong technical desivery and for her style, which combines the traditional gypsy with a modern touch. Critics have described her as a “stunning performer with a gaze that enraptured” (Washington Post, November 2002). Estela has performed locally and abroad. In 2001, she was invited to perform with Ballet Flamenco Antonio Santaella in a production of Julia en Flamenco at El Centro de Bellas Artes in San Juan, Puerto Rico. In August 2011, she was invited to perform in Managua, Nicaragua, in the production Ida y Vuelta: De Donde Vienes Mestizo at the Teatro Nacional Rubén Darío. In the Washington area, Estela has performed at many venues, including: the Millennium Stage at the Kennedy Center, the Kennedy Center’s Terrace Theater, the Lincoln Theatre, Harmon Hall, National Theatre, Atlas Performing Arts Center, the Jack Guidone Theater, Corcoran Gallery of Art, Dance Place, Publick Playhouse, Roundhouse Theater, and Alden Theatre. She has also performed at tablaos locally and in Puerto Rico. In 2004, she founded Furia Flamenca Dance company for which she is the Artistic Director and choreographer. Furia Flamenca, a Resident Arts Partner of JOMDC, has become the most sought-after flamenco dance company in the DMV area with performances in some of the most prestigious venues including: the Kennedy Center’s Millennium Stage and Terrace Theater, Lincoln Theatre, National Theatre, Wolf Trap, Baltimore Lyric Opera House, Publick Playhouse, and Alden Theatre, to name a few. The company is regularly invited to perform at Happenings at Harmon Hall and regularly performs at some of the biggest DC festivals, such as the Washington Folk Festival, INTERSECTIONS: A New America Arts Festival, Cherry Blossom Festival, Dance DC Festival, Velocity DC, Taste of Bethesda, and DC’s annual Feria de Sevilla. The company’s choreographers have been selected to participate in the area’s most prestigious choreographer’s showcases including Dance Bethesda, World Dance Showcase, and Dance Place’s New Releases Choreographer’s Showcase. Their performances and productions have been recognized as some of the best in the region with two Metro DC Dance awards in 2009 and five finalist nominations in 2012. Estela is faculty at Joy of Motion Dance Center and is summer faculty at the Kirov Academy of Ballet in Washington, DC. She is also regularly asked to teach master classes in ballet studios and theaters in the region, most recently at Wolf Trap. She collaborates with Teatro Lirico DC, choreographing and dancing for some of their zarzuela productions. She currently serves as the chair of the board of directors of Dance Metro DC.
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Born in El Salvador, Rivera is a dancer, teacher, choreographer, and painter. Rivera is a graduate of the National University of El Salvador (UES) with a B.A. in Fine and Visual Arts. He began his training in contemporary dance at UES under the direction of Alfredo Perez, and continued his studies at the National School of Dance under the direction of Francisco Castillo and Yasmin Hernandez, among others. He has participated in dance festivals in El Salvador, Guatemala, Honduras, Nicaragua, and the U.S. Rivera has danced with Solo por Hoy Danza Contemporanea, Nejla Yatkin Company, Reflexion Dance Company of Washington, DC, and El Teatro de Danza Contemporanea de El Salvador, where he was a soloist/principal dancer, teacher, choreographer, and set designer. He was a finalist in the 2007 Metro DC Awards in the “Emerging Choreographer” category. In addition to dance, Rivera has exhibited his paintings, scenic designs, body painting, and costumes at the Embassy of Brazil in San Salvador, National University of El Salvador, in Washington, DC, and in San Francisco. Rivera was on faculty at the National School of Dance in El Salvador, Washington Ballet School, Oyster Bilingual School, Centro Nia, Dance Institute of Washington, DC, and a guest performer, teacher, and choreographer at Georgetown University (Black Movements Dance Theatre, and Georgetown Dance Company). Danilo currently teaches at DC Bilingual Public Charter School and Joy of Motion Dance Center.
Samantha Salters, recently earned a Masters of Fine Arts(MFA) in Dance from the University of Colorado Boulder (UCB). Upon attending UCB in the Fall of 2013, she was the recipient of a Teaching Fellowship and the Gail Pokoik scholarship, awarded by faculty, to graduate students based on talent and dedication to the arts. In addition to obtaining a MFA in Dance in performance and choreography, Samantha also earned a certificate in Comparative Ethnic [Africana] Studies. During her time in Boulder, CO she studied West African (Ghanaian, Guinean, Ewe), hip hop, Afro-Cuban, house, transnational fusion and modern dance styles and performed under the direction of Gesel Mason, Nii Armah Sowah, Larry Southall, Faye Driscoll, Millicent Johnnie, Ananya Chatterjea, Dr. Amma Ghartey-Tagoe Kootin, the Logo Ligi Dance Ensemble, The Sankofa Project, and Creative Strategies for Change. A Kent State University (KSU) Alum, Samantha has undergraduate degrees in Dance Education (B.F.A.) and Teaching English as a Second Language (B.A.) as well as a variety of collegiate organizational experience including; becoming a member of Delta Sigma Theta Sorority, Incorporated, a Public service organization. She studied classical modern, jazz, and ballet techniques from 2008 to 2013 at KSU and rediscovered her pre-collegiate passion for African Diasporic movement and history after attending The Garth Fagan Summer Dance Intensive, in the summer of 2012, as a scholarship recipient. In the summer of 2014, she traveled to Ghana, as a part of cultural project, to expand her knowledge of Contemporary West African(Ewe) culture, not limited to; dance, drumming, song, and language. In 2015, Samantha attended the bi-annual Exploration of Afro-Cuban Music and Dance, hosted by Humboldt State University, as a scholarship recipient. Samantha has returned to the Washington, D.C. area where she is currently an apprentice of the Production Management team at Dance Place and a returning Modern dance Instructor of the Joy of Motion Step Ahead Dance Camp, and a member of Afromoda Dance Theater.
Malaika Tate-Scott, a Washington, DC native, received dance training in modern, ballet, African dance, and hip hop at the North East Performing Arts School and the DC Youth Ensemble. While living in Kansas, she developed a dance program for more than 50 students for the Boys and Girls Club of America. In the summer of 2006, Tate-Scott produced the culminating concert, called The Generation-X Hip-Hop Explosion, in the town’s entertainment center. She also served as the dance instructor for the Children & Youth Investment Trust Corporation Summer Youth Service Corp. Tate-Scott continued her dance training throughout her adult years, and later went on to complete a B.A. in Dance from the University of Maryland. Her introduction to Joy of Motion Dance Center came through her drive to continue training while raising her family; after many classes, she joined and later directed Joy of Motion Dance Center’s resident hip hop company, DCypher Dance, for two years. While a performing member of DCypher Dance, Tate-Scott performed locally and internationally. Tate-Scott is the Company Director of Vibe Tribe, Joy of Motion Dance Center’s youth hip hop company under the H.Y.P.E. Program.
Stephanie is a native of Syracuse, NY where she trained at Liverpool School of Dance. From the ages of 3 through 18, she studied ballet, tap, jazz, and lyrical and was an award-winning member of their competition team. She also participated in community theatre in high school and college. She was introduced to modern dance at SUNY Oswego through Cheryl Wilkins-Mitchell where she received her B.A. in Human Communications. After moving in late 2007 to the DC area, she jumped into the dance scene and added hip hop among the styles of dance she would train and perform in. Over the years, Stephanie has been a member of multiple DC area dance companies of varying styles including Tappenstance, Afta Shock DC, Next Reflex Dance Collective, ARA Tap, and most recently as a guest dancer with Glade Dance Collective for their premier six show run in the 2015 Capital Fringe Festival. In 2014, she was also a member of xx, The Cabaret playing the tough girl from the farm named Stella. Other performance credits include: dancing for the Utz National Chip Day Celebration on the Baltimore National Harbor, dancing on the National Mall for Earth Day and the 100th Anniversary of the Cherry Blossom Festival, multiple DC Tap Fest All-Star Concerts, National Tap Dance Day, and can also be seen dancing in the documentary titled, “James Brown: The Man, The Music, The Message” which aired on NBC. In addition to teaching at Joy of Motion, Stephanie also currently teaches at The New School of Dance and Arts and Knock on Wood Tap Studio. Stephanie also has a love for singing and photography. Her hope is to keep growing as a student and educator of dance and one day spread the love of dance throughout U.S.
Ghita von Bonsdorff found her passion for Latin dances in Finland, where she lived until 2008. She attended several dance schools in Helsinki and performed with salsa, merengue, bachata, and reggaeton groups. Upon moving to the DMV area, von Bonsdorff wanted to keep dancing and joined a Rueda de Casino group as well as Tanya Nuchols’ inspiring Zumba® classes at Joy of Motion Dance Center. Von Bonsdorff earned her own Zumba® certification in 2012 and recently certified in Zoca®. Von Bonsdorff teaches many dance fitness classes throughout the region including: Zumba®, Zumba Gold®, Zoca® , Zoca Smooth®, and Body Tone®
Sharon Werth has been dancing since her youth. She was a dance major at California State University at Long Beach. Upon moving to the DC area, she danced with The Erika Thimey Dance Theater from 1975–1979, when Erika retired. She has taught and performed in many venues since that time, including directing Starting Point Dance Studio (Leaps & Bounds) in College Park. Werth is currently a Co-Director of the revived Erika Thimey Dance & Theater Co. and the Artistic Director of the Chalice Dancers at Paint Branch Unitarian Universalist Church. She also teaches numerous children’s classes locally and through Joy of Motion Dance Center.
Vincent Williams is an accomplished performing artist; he sings, acts, drums, choreographs, and dances in addition to being a celebrated dance educator. He has worked with renowned artists such as Mercedes Ellington, George Faison, Marilyn Manson, Cheryl Porter, and Joyce Yuille, to name a few. Williams’ unique performance style ranges from jazz and blues, to hip hop and gospel, and he tours throughout Europe, the Bahamas, Jordan, Thailand, and the Dominican Republic. Williams’ talent in choreography led to developing dance segments for MTV Europe and International Dance Bassano in Italy. In the U.S. he created signature dance segments for television and movies. Williams’ diverse acting career includes performances in two international Broadway shows, Sing Mahalia Sing and A Chorus Line. Williams also collaborates on recording projects with Mike Sponza, Michele Bonivente, and Marco Pandolfi in Europe. Most recently, Williams was a dance coach and choreographer for X Factor Italy’s Dynamo girl group. As a longtime DC native, Williams has taught at Montgomery College and at DC’s annual Brazilian festival. Williams has taught for Joy of Motion Dance Center’s Motion Express Program for many years, bringing his zest for life to local public and charter schools throughout the region.
Cynthia Word is the Founder and Artistic Director of Word Dance Theater, a non-profit performing arts organization founded in 2000. Born and raised in Abilene, Texas, Word has a Bachelor of Science from the University of Texas, Austin, but began her modern dance training at the University of Illinois with choreographers Beverly Blossom, Chester Wolenski, Mary Anthony, and Sarah Rudner. She later received her Master in Fine Arts from George Washington University, where she also served on the teaching faculty. Based in Washington, DC, Word and Word Dance Theater create Isadora Duncan-based dance/theater productions, blending compelling story, live music, and the masterful dances of Isadora Duncan, as well as new dances employing the Duncan technique and philosophy, to create theatrical productions that are powerfully engaging to audiences. Word has toured with the Isadora Duncan International Institute, performing Duncan repertory in Greece and Italy.